Sans Superellipse Imlof 5 is a very bold, very wide, medium contrast, italic, normal x-height font.
Keywords: sports branding, racing graphics, headlines, posters, product branding, futuristic, sporty, techy, aggressive, energetic, convey speed, signal modernity, create impact, brand emphasis, extended, oblique, streamlined, rounded corners, angular.
This typeface is a slanted, extended sans with a low, aerodynamic stance and heavily rounded-rectangle construction. Strokes are thick and relatively even, with tight apertures and compact interior counters that read like cut-outs in solid forms. Terminals are sharply clipped on a consistent forward angle, creating a continuous sense of motion, while corners are softened into superelliptic rounds rather than true circles. Curves and straights transition with controlled, mechanical smoothness, and the overall spacing and proportions favor long horizontal runs and a strong headline silhouette.
Best suited for display typography where impact and motion are desired: sports identities, motorsport or esports graphics, tech-forward product branding, packaging, and bold poster headlines. It also works well for short UI labels or badges when a dynamic, engineered look is needed, though the tight apertures suggest using it at larger sizes for maximum clarity.
The design projects speed and engineered precision—more race-car than bookish. Its bold, oblique rhythm feels assertive and modern, with a slightly industrial, sci‑fi flavor that suits action-oriented messaging and contemporary tech branding. The rounded geometry keeps it friendly enough to avoid looking harsh, while the angled cuts maintain a competitive, performance tone.
The letterforms appear designed to evoke speed and modernity through oblique posture, extended proportions, and consistent cut-corner detailing. Its superelliptic, rounded-rectangle skeleton suggests an intention to feel both technical and approachable, delivering a strong silhouette for branding and titles where immediacy and energy matter.
Round letters lean toward squarish bowls (notably in O/Q/e), and several glyphs emphasize forward-leaning diagonals, reinforcing the italic momentum. Numerals echo the same cut-corner logic and wide footprint, with simplified counters and strong baseline presence that help them stand out in display settings.