Sans Superellipse Ongez 8 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'AF Diwa' by ACME Collection, 'Cybersport' by Anton Kokoshka, and 'Mercurial' and 'Midsole' by Grype (names referenced only for comparison).
Keywords: headlines, branding, ui labels, product design, signage, techy, industrial, futuristic, utilitarian, confident, geometric clarity, modern utility, tech voice, brand impact, squared-round, rounded corners, geometric, compact, high contrast (ink-to-bg.
This typeface is built from squared, superellipse-like shapes with consistently rounded corners and largely uniform stroke thickness. Curves resolve into soft rectangular bowls rather than true circles, giving counters a boxy, engineered feel. Proportions are compact with sturdy verticals and short joins; terminals are clean and blunt, and diagonals in letters like K, V, W, X, and Y stay crisp against the otherwise rounded construction. The lowercase is simple and modern, with single-storey a and g, a straight descender on y, and a narrow, functional rhythm in text.
It works well for headlines, logotypes, product branding, and UI labels where a contemporary, geometric voice is desired. The sturdy, squared-round forms also suit wayfinding or packaging applications that benefit from high contrast and clear, simplified letter shapes.
The overall tone reads modern and technical, with a controlled, machine-made character. Its rounded-square geometry feels friendly enough for consumer tech, but still carries an industrial, signage-like authority.
The design intent appears to be a clean, contemporary sans that replaces circular geometry with rounded-rectangular construction for a more engineered, futuristic presence. It prioritizes consistency and recognizable silhouettes to stay readable while projecting a tech-forward personality.
The design maintains strong silhouette clarity at display sizes, with distinctive rounded-rectangle bowls in letters such as B, D, O, P, and Q, and similarly constructed numerals. Spacing and forms appear tuned for impact and legibility rather than calligraphic nuance, producing a steady, modular texture in paragraphs.