Sans Superellipse Esrej 9 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Cybersport' by Anton Kokoshka; 'Air Corps JNL' by Jeff Levine; 'Navine', 'Revx Neue', and 'Revx Neue Rounded' by OneSevenPointFive; and 'Beachwood' by Swell Type (names referenced only for comparison).
Keywords: headlines, branding, sports, posters, interfaces, sporty, techy, dynamic, confident, modern, speed cue, modernize, impact, clarity, brand voice, rounded, squared, slanted, compact, smooth.
A slanted sans with a sturdy, compact build and smoothly rounded corners throughout. Curves are drawn as softened rectangles, producing superellipse-like bowls and counters with a controlled, engineered feel. Strokes are consistently heavy with minimal modulation, and terminals tend to be clean and blunt rather than tapered. The overall rhythm is tight and forward-leaning, with closed apertures and squared-off curves that keep the texture dense and highly legible at display sizes.
Best suited to headlines, branding marks, and short bursts of text where impact and speed cues matter. It works well for sports and automotive themes, tech-forward packaging, and interface labels or section headers where a compact, high-contrast-free texture stays clear. For longer reading, it’s likely strongest in larger sizes where the tight shapes and closed forms can breathe.
The tone is fast, assertive, and contemporary, combining a technical precision with an athletic, performance-driven energy. Its rounded-square geometry reads as modern and utilitarian rather than friendly or casual, projecting confidence and momentum.
The design appears intended to merge the neutrality of a sans with a distinctive rounded-rect geometry and a pronounced forward slant, creating a recognizable voice for energetic, modern communication. Its consistent weight and squared curves prioritize clarity and robustness while adding a performance-oriented personality.
Round characters (like O/0 and related forms) keep a distinctive rounded-rectangle silhouette, and the slant is strong enough to feel purposeful without becoming cursive. Numerals and caps match the same compact, blocky logic, which helps headlines look cohesive and punchy.