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Free for Commercial Use

Sans Other Roko 6 is a very bold, narrow, monoline, upright, normal x-height font visually similar to 'Calvera' by Din Studio, 'Stallman Round' by Par Défaut, and 'Graund' by Umka Type (names referenced only for comparison).

Keywords: headlines, posters, logos, packaging, signage, industrial, techno, retro, assertive, mechanical, impact, display, tech feel, space saving, graphic uniformity, squared, angular, condensed, blocky, modular.


Free for commercial use
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This typeface is built from compact, rectilinear shapes with squared counters and minimal curvature. Strokes keep a consistent, heavy presence and terminate in crisp right angles, giving letters a carved, modular feel. The proportions are tightly condensed with a tall, vertical stance; bowls and apertures are reduced into squared openings, and diagonals (as in V, W, X, Y) are simplified into chunky, faceted joins. Overall spacing reads even and disciplined, producing a dense, high-contrast texture in words despite the uniform stroke behavior.

Best suited to headlines, posters, branding marks, and packaging where a strong, compact wordshape is desirable. It also works well for signage, UI labels, and title cards that aim for an industrial/tech atmosphere, especially when set with generous tracking to prevent the dense forms from visually clumping at smaller sizes.

The tone is hard-edged and utilitarian, evoking industrial labeling and retro digital display aesthetics. Its rigid geometry and compact rhythm create an authoritative, no-nonsense voice that feels technical and slightly futuristic, with a hint of arcade or sci‑fi poster energy.

The design appears intended to deliver maximum impact with a tightly engineered, geometric construction. By prioritizing squared counters, uniform stroke presence, and condensed proportions, it aims to create a distinctive display voice that feels modern, mechanical, and highly graphic.

Distinctive squared interior cutouts and notch-like joins become part of the identity, especially in tight letters like a, e, s, and g. Numerals and capitals share the same boxy logic, resulting in a consistent, sign-like system that reads best when given room and used at impactful sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸