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Free for Commercial Use

Sans Other Roko 6 is a very bold, narrow, monoline, upright, normal x-height font visually similar to 'Calvera' by Din Studio, 'Stallman Round' by Par Défaut, and 'Graund' by Umka Type (names referenced only for comparison).

Keywords: headlines, posters, logos, packaging, signage, industrial, techno, retro, assertive, mechanical, impact, display, tech feel, space saving, graphic uniformity, squared, angular, condensed, blocky, modular.


Free for commercial use
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This typeface is built from compact, rectilinear shapes with squared counters and minimal curvature. Strokes keep a consistent, heavy presence and terminate in crisp right angles, giving letters a carved, modular feel. The proportions are tightly condensed with a tall, vertical stance; bowls and apertures are reduced into squared openings, and diagonals (as in V, W, X, Y) are simplified into chunky, faceted joins. Overall spacing reads even and disciplined, producing a dense, high-contrast texture in words despite the uniform stroke behavior.

Best suited to headlines, posters, branding marks, and packaging where a strong, compact wordshape is desirable. It also works well for signage, UI labels, and title cards that aim for an industrial/tech atmosphere, especially when set with generous tracking to prevent the dense forms from visually clumping at smaller sizes.

The tone is hard-edged and utilitarian, evoking industrial labeling and retro digital display aesthetics. Its rigid geometry and compact rhythm create an authoritative, no-nonsense voice that feels technical and slightly futuristic, with a hint of arcade or sci‑fi poster energy.

The design appears intended to deliver maximum impact with a tightly engineered, geometric construction. By prioritizing squared counters, uniform stroke presence, and condensed proportions, it aims to create a distinctive display voice that feels modern, mechanical, and highly graphic.

Distinctive squared interior cutouts and notch-like joins become part of the identity, especially in tight letters like a, e, s, and g. Numerals and capitals share the same boxy logic, resulting in a consistent, sign-like system that reads best when given room and used at impactful sizes.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸