Sans Superellipse Pimoy 2 is a very bold, very narrow, low contrast, upright, normal x-height font visually similar to 'Brookside JNL' by Jeff Levine, 'Beachwood' and 'Goodland' by Swell Type, 'Ggx89' by Typodermic, and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: headlines, posters, signage, branding, packaging, industrial, poster, condensed, assertive, retro, space saving, high impact, signage look, retro utility, blocky, rounded corners, rectilinear, compact, monoline.
A compact, condensed sans with monoline strokes and a tall, columnar build. Curves are rendered as rounded-rectangle forms, giving bowls and counters a squared-off, superelliptical feel rather than fully circular geometry. Terminals are mostly flat and blunt, corners are consistently softened, and apertures tend to be tight, producing dense, vertical rhythm. Uppercase shapes read rigid and architectural, while lowercase maintains a straightforward, utilitarian construction with minimal modulation and simple joins; numerals follow the same narrow, block-like proportions.
Best suited for headlines, posters, and signage where a tight width and strong vertical emphasis help maximize impact in limited space. It can work well for branding and packaging that calls for an industrial or retro-inspired condensed look, and for short UI or display labels where clarity at larger sizes is prioritized.
The overall tone is forceful and no-nonsense, with an industrial, poster-ready presence. Its rounded-rectangle curves add a subtle retro signage flavor while keeping the voice modern and functional. The condensed silhouette gives it urgency and impact, suited to attention-grabbing, space-efficient messaging.
The design appears aimed at delivering maximum emphasis in a narrow footprint, using squared, rounded-corner anatomy to create a distinctive, engineered texture. It prioritizes uniform stroke behavior and compact proportions to maintain a consistent, high-impact typographic color across words and lines.
Because counters and apertures are relatively enclosed and the strokes are heavy, the design favors larger sizes where internal shapes stay clear. The consistent corner rounding creates a cohesive texture across letters and figures, and the punctuation echoes the same blunt, compact styling.