Hollow Other Fyja 7 is a very bold, narrow, very high contrast, upright, tall x-height font visually similar to 'Pantograph' by Colophon Foundry, 'Angela Love Sans' by Fargun Studio, 'Motel Xenia' by Fenotype, 'CF Blast Gothic' by Fonts.GR, 'Ozonos' by Kufic Studio, 'Neue Helvetica' by Linotype, and 'Chairdrobe' by XTOPH (names referenced only for comparison).
Keywords: headlines, posters, signage, packaging, logos, retro, playful, circus, handcrafted, poster, attention-grabbing, vintage novelty, space-saving, decorative texture, friendly impact, inline, rounded, condensed, bouncy, ornamental.
A condensed, heavy display face with rounded corners and soft, bulb-like terminals. The strokes are punctuated by irregular inline cutouts that read as hollowed notches and small internal voids, creating a lively, hand-hewn texture rather than a clean geometric inline. Forms are mostly upright with simplified, blocky construction, and counters tend to be compact and vertically oriented. The overall rhythm is tight and tall, with sturdy stems, short crossbars, and a slightly uneven internal detailing that gives each glyph a carved, stamped look.
Best suited to short, high-impact text such as posters, headlines, storefront signage, packaging callouts, and logo wordmarks where the inline hollows can be appreciated. It can also work for playful branding systems and event graphics, especially when set with generous tracking and ample size to preserve the internal detailing.
The hollowed inline treatment and chunky, rounded silhouettes give the font a spirited vintage flavor—equal parts carnival poster and mid-century novelty. Its texture feels friendly and animated, with a wink of handcrafted imperfection that keeps large setting from feeling rigid or corporate.
The design appears intended to deliver maximum display presence in a narrow footprint while adding visual interest through hollowed, irregular inline cutouts. It aims for a vintage novelty tone with a bold silhouette and a tactile, crafted surface.
The inline knockouts vary subtly from letter to letter, which adds character but also makes the texture more pronounced at larger sizes. Numerals share the same condensed, weighty stance and the same internal cutout motif, helping mixed alphanumeric settings remain cohesive.