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Sans Other Giwa 4 is a very bold, wide, medium contrast, upright, normal x-height font.

Keywords: posters, headlines, logos, packaging, signage, industrial, stenciled, retro, techno, mechanical, display impact, stencil motif, system texture, brand distinctiveness, geometric, modular, blocky, notched, ink-trap.


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A heavy, geometric sans with broad proportions and a modular, cut-paper construction. Most forms are built from strong vertical and horizontal masses paired with circular bowls, then interrupted by consistent internal slits and notches that read like stencil bridges or ink-trap cuts. Curves are simplified into near-semicircles, corners are crisp, and counters often appear segmented rather than fully open, creating a distinctive broken rhythm across the alphabet. Spacing looks intentionally tight and the overall texture is dense, with the repeated cut-ins providing a steady, graphic cadence at display sizes.

Best suited for large-scale applications where the stencil cuts and segmented counters remain clearly visible: posters, headlines, brand marks, packaging, and bold signage. It can also work well for short UI labels or album/cover titling when a strong industrial or retro-tech voice is desired, but it is less appropriate for long passages or small sizes due to its dense weight and internal interruptions.

The repeated gaps and blocky geometry evoke industrial labeling, machinery markings, and mid-century display signage. It feels bold and assertive, with a slightly playful, futuristic edge due to the modular slicing and rounded-to-rectilinear contrast. The tone is attention-grabbing and poster-like rather than neutral or text-oriented.

Likely designed as a distinctive display sans that merges geometric construction with a stencil/bridge motif to create strong word-shapes and memorable silhouettes. The consistent cut pattern suggests an intent to build a recognizable, systematized texture across both letters and numbers, prioritizing graphic impact over conventional readability in text settings.

The design’s signature is the consistent placement of vertical and horizontal incisions across many glyphs, which can create striking patterns in words but also introduces ambiguity in some letterforms at smaller sizes. Numerals follow the same segmented logic, producing a cohesive, system-like look in mixed alphanumeric settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸