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Serif Flared Gahy 2 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Crostea' by Drizy Font, 'Ciutadella' by Emtype Foundry, 'Gin And Tonic' by Mans Greback, and 'Kommon Grotesk' by TypeK (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, book covers, confident, heritage, editorial, collegiate, authoritative, impact, tradition, authority, display readability, bracketed, flared terminals, rounded joins, robust, sculpted.


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A very heavy serif with compact proportions and pronounced, bracketed serifs that flare smoothly out of the stems. Curves are full and rounded, with tight apertures and sturdy internal counters that keep the shapes dark and cohesive. Terminals often widen into wedge-like endings, giving the strokes a subtly carved, sculptural feel rather than a sharp, razor-cut finish. The overall rhythm is steady and weighty, with strong vertical emphasis and clear, traditional letterform construction across caps, lowercase, and figures.

Best suited to display settings such as headlines, posters, and strong typographic branding where its dense weight and flared serifs can carry impact. It can also work for book covers, packaging, and editorial titles that benefit from a traditional, authoritative voice. For longer passages, it will be most effective when given generous size and spacing so the dark color doesn’t overwhelm.

The font projects a bold, established tone—confident and formal with a classic, institutional flavor. Its dense color and flared details evoke traditional print typography and signage, lending a sense of authority and permanence. The overall impression is sturdy and emphatic rather than delicate or playful.

The design appears intended to deliver maximum impact with a classic serif voice, using flared terminals and bracketing to add warmth and tradition to an otherwise very bold silhouette. It prioritizes presence and legibility in short bursts—titles, labels, and prominent copy—over lightweight delicacy or high-contrast refinement.

At text sizes the heavy weight creates a solid typographic block, while the flared terminals and bracketing add texture that prevents the forms from feeling purely geometric. The numerals match the letterforms in weight and presence, reading as strong display figures suited to headlines and short emphatic lines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸