Sans Superellipse Kesa 2 is a very bold, narrow, monoline, italic, normal x-height font visually similar to 'Liquorstore' by Chank and 'The Story Begins & Ends' by Comicraft (names referenced only for comparison).
Keywords: headlines, posters, sports branding, gaming, packaging, sporty, techno, futuristic, energetic, aggressive, impact, speed, modernity, branding, display, oblique, compact, angular, rounded corners, square counters.
A compact oblique sans with hefty, uniform strokes and a strong rightward slant. Letterforms are built from rounded-rectangle geometry: corners are softened while terminals often end in sharp, forward-cut wedges, creating a fast, directional feel. Counters tend to be squarish and tightly enclosed, and many curves read as squared-off arcs rather than fully circular bowls. Spacing is visually dense and rhythmic, with consistent weight and sturdy joins that hold up well at display sizes.
Best suited to short, high-impact text such as headlines, event posters, team or esports branding, product marks, and energetic packaging. It can also work for UI accents, badges, and labels where a condensed, motion-forward look is desired, while extended body copy may feel dense due to its tight counters and strong slant.
The overall tone is speed-driven and assertive, combining a futuristic, motorsport-like energy with a clean, engineered discipline. Its angled cuts and compact build suggest motion and urgency, making it feel bold, competitive, and action-oriented.
The font appears designed to deliver a compact, high-velocity display voice using rounded-rectangular construction and forward-cut terminals. Its consistent stroke weight and systematic geometry suggest an intention to feel modern and engineered while remaining forceful and immediately legible at larger sizes.
The design leans on repeated wedge cuts and rounded-box curves across capitals, lowercase, and numerals, giving the set a cohesive "machined" texture. The slant is pronounced enough to read as intentionally dynamic rather than merely oblique, and the closed apertures contribute to a solid, blocky silhouette in words.