Sans Superellipse Onlug 3 is a regular weight, normal width, monoline, upright, normal x-height font visually similar to 'EB Corp' by Eko Bimantara, 'Certo Sans' by Monotype, 'Facto' by The Northern Block, and 'Kongress' by Tipo Pèpel (names referenced only for comparison).
Keywords: ui text, product design, signage, dashboards, branding, modern, clean, neutral, techy, friendly, clarity, system design, modern branding, screen use, geometric identity, rounded corners, geometric, uniform strokes, large counters, open apertures.
A geometric sans with squared-off, superellipse-inspired rounds and consistently rounded corners. Stroke weight is even throughout, with minimal contrast and a steady rhythm that keeps letters crisp at display sizes and orderly in text. Curves resolve into flattened arcs on bowls and shoulders, and terminals tend to finish with straight cuts softened by corner radiusing. Proportions feel pragmatic and space-efficient, with generous counters in forms like O, D, and 8, and straightforward, engineered diagonals in A, V, W, X, and Y.
This face is well suited to interface typography, product labels, and wayfinding where clear shapes and consistent spacing matter. The rounded-rect geometry also makes it a strong choice for tech branding, dashboard readouts, packaging, and contemporary editorial headings that need a clean, modern voice.
The overall tone is contemporary and matter-of-fact, balancing a technical, UI-ready precision with a mild friendliness from the rounded geometry. It reads as calm and reliable rather than expressive, suited to brands that want modern clarity without sharp aggression.
The design appears intended to deliver a modern grotesk-like utility with a distinctive superellipse skeleton—combining straightforward readability with a subtle, contemporary signature. It aims for consistent, repeatable shapes that feel at home in digital environments and modular layout systems.
The lowercase shows simplified, utilitarian construction with a single-storey a and g, and a compact, tidy feel in stems and joins. Numerals are clean and structured with rounded-rectangle influence; curves stay controlled and corners remain consistently softened, reinforcing a cohesive, system-like aesthetic.