Sans Faceted Pamo 1 is a regular weight, normal width, monoline, upright, normal x-height font.
Keywords: headlines, posters, logos, packaging, game ui, quirky, handmade, angular, playful, techy, display impact, handmade feel, angular styling, distinctiveness, faceted, chiseled, polygonal, irregular, sharp.
A sharply faceted sans with straight, planar strokes that replace curves with angled segments. The line weight stays fairly even, while corners and joins feel intentionally uneven and hand-cut, creating lively texture. Proportions vary from glyph to glyph with slightly wobbly baselines and cap alignment, and counters are often squarish or irregularly polygonal. The overall rhythm is compact and geometric, with occasional exaggerated angles that give letters a cut-paper, improvised construction.
Best suited for display use such as headlines, posters, logos, and short branding phrases where its faceted texture can be appreciated. It can work for packaging or game/interface accents that benefit from an angular, handmade-tech feel. For longer passages, it will create a strong graphic pattern and is most effective when set at larger sizes with comfortable spacing.
The font reads as playful and offbeat, combining a geometric, tech-like angularity with a distinctly handmade looseness. Its sharp facets add edge and attitude, while the irregular drawing keeps it friendly and informal rather than severe. The result feels experimental and crafty, suited to designs that want character more than polish.
The design appears intended to deliver a geometric, faceted look without the precision of strict vector geometry, emphasizing a hand-drawn, constructed aesthetic. By translating curves into planar cuts and allowing slight inconsistencies, it aims to feel bold, distinctive, and characterful in display settings.
Diagonal strokes and angled terminals dominate, and many rounded forms (like O/C/S) are rendered as multi-sided shapes. Lowercase forms keep the same angular language, with simple, narrow stems and boxy bowls; punctuation in the sample text appears minimal and matches the monoline, angular construction. The texture becomes more pronounced in longer text, where the intentional irregularities create a jittery, energetic color.