Sans Faceted Elba 2 is a very bold, narrow, low contrast, italic, tall x-height font visually similar to 'Bergk' by Designova, 'Beachwood' by Swell Type, 'Calps Sans' and 'Kelpt' by Typesketchbook, and 'Hockeynight Sans' by XTOPH (names referenced only for comparison).
Keywords: sports branding, posters, headlines, logotypes, packaging, athletic, industrial, action, aggressive, retro, impact, speed, ruggedness, branding, angular, faceted, blocky, chamfered, condensed.
A compact, heavy sans with pronounced rightward slant and a distinctly faceted construction. Curves are largely replaced by straight segments and chamfered corners, producing octagonal counters and cut-in notches on joins. Strokes are consistently thick with minimal modulation, and the overall silhouette is tightly packed with short apertures and squared terminals. The lowercase maintains strong vertical presence with sturdy stems and a simple, single-storey structure where applicable, while numerals follow the same clipped, plaque-like geometry for uniformity.
Best suited to short, high-impact text such as sports identities, event posters, product marks, and punchy advertising headlines. It also works well for numbering systems (jersey numbers, scoreboard graphics, UI badges) where bold, angular forms help maintain presence. For longer passages, larger sizes and generous tracking help preserve readability.
The face reads loud and assertive, with a sporty, hard-edged attitude. Its slanted, chiseled forms suggest speed and impact, evoking team branding, motorsport graphics, and arcade-era display typography. The sharp facets add a mechanical, engineered feel that leans more rugged than refined.
The design appears intended as a display sans that substitutes smooth curves with planar facets to create a tough, fast visual language. Its heavy fill, condensed stance, and strong slant prioritize immediacy and recognizability for branding and headline applications.
The combination of condensed proportions and dense black shapes creates strong color and rhythm in headlines, but the tight apertures and angular counters can reduce clarity at smaller sizes. The slant is substantial enough to act as an emphasis style on its own, especially in all-caps settings.