Sans Normal Anbup 9 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Corsica' by AVP, 'Kristall Now Pro' by Elsner+Flake, 'Almarose' by S&C Type, and 'URW Form' by URW Type Foundry (names referenced only for comparison).
Keywords: ui text, signage, editorial, presentations, branding, modern, clean, neutral, friendly, functional, clarity, versatility, neutrality, modernity, geometric, rounded, open apertures, uniform strokes, high legibility.
This typeface presents a clean sans-serif construction with largely geometric, rounded forms and even, low-contrast strokes. Curves are smooth and circular in letters like C, O, and G, while straight-sided characters such as E, F, H, and N keep a crisp, stable rhythm. Terminals are plain and unembellished, with a consistent stroke thickness that supports a straightforward texture in both the uppercase grid and the paragraph sample. Counters are generally open and generous, and the lowercase shows simple, contemporary shapes with single-storey-style forms where visible and compact, readable spacing.
It suits interface labels and UI copy where clarity and steady rhythm are important, and it also works well for signage and wayfinding thanks to open shapes and plain terminals. The even texture makes it a dependable choice for editorial subheads, presentation typography, and brand systems that want a modern, unobtrusive sans-serif voice.
Overall, the font reads as modern and neutral with a slightly friendly tone created by its rounded geometry and open interiors. It feels functional and contemporary rather than expressive, aiming for clarity and an even voice across headings and text.
The design intention appears to be a versatile, contemporary sans serif that prioritizes legibility and consistency through geometric proportions and restrained detailing. Its forms aim to stay neutral and adaptable across a wide range of practical applications.
The numerals follow the same geometric logic as the letters, with smooth curves and sturdy verticals that keep them clear at larger sizes. In the sample text, the face maintains an even color with minimal visual noise, suggesting a design optimized for straightforward communication and consistent typographic rhythm.