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Sans Faceted Midi 11 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Cybersport' by Anton Kokoshka, 'Mercurial' and 'Midsole' by Grype, and 'Revx Neue' and 'Revx Neue Rounded' by OneSevenPointFive (names referenced only for comparison).

Keywords: headlines, logos, posters, packaging, wayfinding, tech, industrial, sporty, futuristic, arcade, impact, precision, modernity, durability, display, angular, chamfered, octagonal, mechanical, stencil-like.

A heavy, geometric sans built from straight strokes with clipped corners and faceted joins in place of curves. Counters tend toward squared/octagonal shapes, giving round letters like O and C a planar, cut-in silhouette. Terminals are consistently chamfered, creating a crisp, engineered rhythm, while spacing and sidebearings read fairly even for a compact, blocky texture. The lowercase follows the same hard-edged construction, with single-storey forms and simple, rectilinear bowls; dots on i/j are square and punctuation is similarly squared-off.

Best suited to headlines, logos, posters, and packaging where its faceted construction can be a primary visual feature. It also works well for signage, labels, and UI/overlay moments that benefit from a mechanical, high-contrast silhouette, especially at medium-to-large sizes.

The overall tone feels technical and machine-made, with a sporty, arcade-like energy. Its faceting suggests durability and precision, evoking industrial labeling, sci‑fi interfaces, and competitive branding where sharp geometry reads as fast and assertive.

The design appears intended to translate a geometric, cut-metal aesthetic into an all-purpose display sans, prioritizing sharp planar forms and consistent chamfers over optical softness. Its cohesive angle logic across letters and numerals suggests a focus on impactful branding and techno-industrial titling.

Distinctive character comes from the consistent corner clipping: even traditionally rounded shapes become angular, and diagonals (A, V, W, X, Y) stay clean and rigid rather than flowing. Numerals adopt the same octagonal logic, producing a cohesive, display-oriented set that remains legible at larger sizes.