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Free for Commercial Use

Sans Faceted Lyga 6 is a bold, wide, low contrast, upright, normal x-height font visually similar to 'Kabyta' by Agny Hasya Studio, 'Aguda' by Graviton, and 'Evanston Alehouse' and 'Evanston Tavern' by Kimmy Design (names referenced only for comparison).

Keywords: sports branding, gaming ui, posters, headlines, logos, techno, industrial, athletic, sci-fi, retro, impact, modernize, toughen, futurism, branding, octagonal, chamfered, geometric, angular, blocky.


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A heavy, geometric sans built from straight strokes and chamfered corners, replacing curves with crisp planar cuts. Letterforms sit on a sturdy, rectangular framework with squared counters and clipped terminals, giving round shapes like O, C, and G an octagonal silhouette. Strokes are uniform and dense, with minimal modulation and a tight, engineered rhythm; diagonals are clean and assertive in A, K, V, W, X, and Y. Lowercase maintains the same faceted construction, mixing compact bowls (a, e) with simplified, blocky structures (m, n, r), and numerals follow a consistent cut-corner logic with squared apertures and stable widths.

Works best for bold headlines, team or event branding, tech and gaming interfaces, signage, and logo wordmarks where the chamfered construction can be a defining visual hook. It also suits packaging, labels, and title treatments that benefit from a rugged, engineered texture.

The faceted geometry reads as technical and machine-made, evoking equipment labeling, digital interfaces, and performance branding. Its sharp cornering and compact mass convey strength and efficiency, with a subtle retro-futuristic edge reminiscent of arcade, motorsport, or utilitarian industrial graphics.

The design appears intended to translate a geometric, cut-metal aesthetic into a practical sans for impactful display typography. By standardizing chamfered corners and squared counters across letters and numerals, it aims to deliver a coherent, high-energy voice that feels technical and durable.

Round joins are systematically avoided, so spacing and texture feel crisp and modular, especially in all-caps. The face stays highly legible at display sizes where the corner cuts and angular counters remain distinct, while the dense shapes can create a strong, poster-like color in longer text.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸