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Free for Commercial Use

Sans Normal Sudub 1 is a bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Cosan' by Adtypo, 'Aesthet Nova' by Inhouse Type, 'Skeena' by Microsoft Corporation, 'Accia Flare' and 'Accia Sans' by Mint Type, 'Amrys' by Monotype, 'Foundry Form Sans' by The Foundry, and 'Botija' by Tipo (names referenced only for comparison).

Keywords: headlines, posters, packaging, branding, signage, friendly, playful, approachable, retro, informal, approachability, playfulness, display impact, warmth, rounded, soft, bouncy, chunky, high-ink.


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A heavy, rounded sans with softened corners and generously curved terminals throughout. Strokes are thick and steady with gently modulated joins that create an overall cushioned, “poured” silhouette rather than crisp geometric edges. Counters stay fairly open for the weight, and many forms show subtle asymmetries and slightly irregular curvature that add warmth and motion. The lowercase has compact, sturdy shapes with short ascenders/descenders and single-storey constructions in places, while figures are broad and friendly with smooth, continuous curves.

Best suited for display settings where its rounded weight can do the expressive work: headlines, short callouts, posters, packaging, and playful branding. It can also serve well in signage or UI labels when used sparingly and with comfortable spacing, but it’s not optimized for extended body copy at small sizes.

The font reads as cheerful and down-to-earth, with a slightly nostalgic, hand-made flavor despite its sans structure. Its soft forms and rounded detailing give it a welcoming tone suited to lighthearted, human-centered messaging rather than corporate formality.

The design appears intended to deliver a sturdy, readable display voice with soft edges and an upbeat personality—combining the clarity of a sans structure with rounded, friendly shaping for approachable communication.

The rhythm is lively, with slightly varied character widths and a springy baseline feel in rounded letters; this helps large text feel animated. At smaller sizes or in long passages, the heavy weight and tight inner spaces can build visual density, so generous spacing and moderate line lengths will help maintain clarity.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸