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Slab Contrasted Pivu 2 is a very bold, wide, medium contrast, upright, normal x-height font visually similar to 'Shemekia' by Areatype, 'Goodall' by Colophon Foundry, 'Shandon Slab' by Hoftype, 'Sánchez Niu' by Latinotype, 'Glypha' by Linotype, and 'Egyptian Slate' and 'Prelo Slab Pro' by Monotype (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, confident, retro, hearty, editorial, collegiate, impact, heritage tone, strong hierarchy, headline clarity, brand presence, bracketed, chunky, soft corners, ink-trap feel, high impact.


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A heavy, slab-serif design with broad proportions and pronounced, mostly bracketed slabs that create strong horizontal emphasis. Strokes are dense and steady with gently rounded joins and subtly sculpted terminals, producing a carved, slightly soft-edged silhouette rather than a purely geometric one. Counters are compact but open enough to stay clear at display sizes, and the lowercase shows sturdy, single-story forms with substantial feet and shoulders. Overall spacing and rhythm feel sturdy and even, with a deliberate, poster-like presence.

Best suited to display contexts such as headlines, posters, identity systems, packaging, and signage where a loud, sturdy voice is desirable. It can work for short subheads or pull quotes, but the dense texture makes it less ideal for long-form body copy at smaller sizes. It pairs well with simpler sans serifs when a strong typographic hierarchy is needed.

The tone is bold and self-assured, evoking vintage advertising and collegiate/Western-influenced signage without becoming overly ornate. Its weight and slab details communicate reliability and toughness, while the softened shaping keeps it approachable and friendly. The result feels energetic and attention-grabbing, suited to messaging that wants to sound established and robust.

This font appears designed to deliver maximum impact through weight, wide proportions, and emphatic slabs, aiming for a classic, assertive display voice. The subtle rounding and bracketed serif shaping suggest an intention to balance toughness with warmth, keeping forms readable and familiar while retaining a distinctly bold character.

The numerals and capitals read especially strong due to their wide stance and prominent slab bases, giving lines a grounded baseline. In running sample text, the dark color builds quickly, suggesting it performs best with generous line spacing and in shorter blocks where impact is the goal.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸