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Sans Normal Sunis 4 is a regular weight, normal width, high contrast, upright, normal x-height font visually similar to 'GHEA Zartonk' by Edik Ghabuzyan (names referenced only for comparison).

Keywords: headlines, editorial, branding, packaging, posters, classic, refined, authoritative, formal, readable elegance, editorial tone, modern classic, crisp, sculpted, bracketed, calligraphic, bookish.


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This typeface presents as a high-contrast design with clear thick–thin modulation and predominantly vertical stress. Letterforms are built on smooth, round bowls and open counters, paired with sharply cut terminals that often finish in slight flares or wedge-like ends rather than blunt stops. Proportions feel balanced and text-ready, with moderate apertures and a steady rhythm across capitals and lowercase; the lowercase includes a single-storey “a” and a single-storey “g,” lending a slightly more contemporary texture within an otherwise traditional construction. Numerals follow the same contrast logic, with slender joins and strong curves that read cleanly at display sizes.

It performs well in editorial headlines and subheads, book and magazine typography, and brand identities that aim for a refined, established voice. The crisp contrast and sharp terminals also make it effective for packaging, posters, and other medium-to-large text applications where elegance and definition are key.

The overall tone is polished and literary, combining a traditional, print-oriented seriousness with a touch of elegance from the pronounced contrast and sharp finishing. It feels confident and composed, suited to contexts where clarity and sophistication are more important than casual friendliness.

The design appears intended to deliver a clean, modernized take on classic high-contrast letterforms: smooth, geometric bowls paired with precise, sculpted terminals to achieve a refined voice that remains readable in continuous text.

Capitals show sculpted curves and controlled stance, while the lowercase keeps an even, readable color despite the contrast. Stroke endings and joins create a subtly calligraphic flavor without appearing decorative, helping the font maintain a sober, professional character in paragraphs.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸