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Serif Other Ekfu 6 is a bold, normal width, low contrast, upright, normal x-height font.

Keywords: headlines, posters, branding, packaging, magazine titles, stencil, display, editorial, theatrical, vintage, distinctiveness, stencil effect, editorial impact, brand voice, poster readability, ink-trap feel, cut-in, high-shouldered, sculpted, rhythmic.


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A sculpted serif display with pronounced stencil-like interruptions and teardrop/triangular cut-ins that create sharp interior notches and split terminals. Strokes are heavy and largely even in weight, with rounded bowls contrasted against crisp, angled incisions; the resulting counters often feel segmented rather than fully enclosed. Serifs read as compact wedges or clipped terminals rather than extended slabs, and many joins show purposeful carving that mimics ink-trap behavior at tight corners. Uppercase forms are tall and assertive, while lowercase stays sturdy and compact, with single-storey a and g and a distinctive, cut-out-driven rhythm across the set. Numerals follow the same split/segmented construction, keeping a cohesive, poster-like texture in lines of text.

Best suited to headlines, titles, and short statements where its carved details can read clearly. It works well for poster design, branding marks, packaging, and editorial display typography where a distinctive, stencil-inflected serif texture is desirable. For longer passages, it benefits from generous size and comfortable leading to keep the cut-in rhythm from feeling dense.

The overall tone is dramatic and attention-grabbing, blending vintage editorial flair with a modern, graphic stencil sensibility. The repeated cut-ins give it a crafted, stage-poster energy—confident, slightly enigmatic, and strongly stylized—making it feel more like a typographic voice than a neutral text face.

The design appears intended to merge traditional serif proportions with a decorative, cut-out construction, producing a bold display voice that feels crafted and print-aware. Its consistent use of interruptions and clipped terminals suggests a goal of creating instant recognizability and a strong brandable texture across letters and numbers.

In paragraph samples the repeated notches create a strong horizontal patterning and a dark typographic color, so spacing and size will materially affect clarity. Several letters rely on interior separations for identity, which heightens character at larger sizes but can introduce ambiguity in smaller settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸