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Free for Commercial Use

Stencil Noto 1 is a regular weight, wide, low contrast, upright, normal x-height font.

Keywords: headlines, posters, branding, packaging, signage, industrial, editorial, retro, dramatic, bold, stencil display, graphic texture, headline impact, signage feel, high-impact, sculpted, incised, crisp, poster-like.


Free for commercial use
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A bold display serif built from solid, geometric strokes interrupted by consistent stencil breaks. The letterforms are compact and blocky with sharp triangular notches and clean, straight terminals, while counters are often carved into the mass rather than drawn as fully open forms. Curves are simplified and feel cut from a slab, and the overall rhythm is driven by repeating bridge placements that create a distinctive pattern across rounds and verticals. Numerals and capitals carry a particularly strong, poster-like presence, with tight internal spaces and crisp edges that read best at larger sizes.

Best suited for headlines, titles, and short statements where the stencil pattern can be appreciated. It works well in branding, packaging, and signage that aims for an industrial-luxe or editorial display voice, and it can anchor posters and covers with strong, high-impact typographic shapes.

The tone is assertive and theatrical, blending industrial stencil practicality with a refined, fashion-editorial edge. Its repeating cut-ins and bridge logic give it a crafted, fabricated feel—evoking signage, labeling, and high-contrast print layouts without relying on delicate hairlines. Overall it projects confidence, structure, and a slightly retro, deco-leaning sophistication.

The design appears intended to deliver a distinctive stencil aesthetic with a refined serif silhouette—combining fabricated, cut-out construction with a fashionable display sensibility. The consistent bridge strategy suggests a focus on recognizability and texture in large-scale typography rather than continuous-text reading.

Stencil breaks are prominent in round letters (like O/C/G/Q) and also appear as strategic removals in diagonals and joins, producing a cohesive, systematized texture. Spacing and proportions favor headline settings, where the carved counters and bridges remain clearly legible and become a key part of the graphic identity.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸