Sans Contrasted Wagy 2 is a very bold, normal width, medium contrast, italic, normal x-height font.
Keywords: headlines, posters, sports branding, logos, packaging, sporty, energetic, assertive, retro, impact, speed, emphasis, branding, slanted, angular, wedge cuts, compact, dynamic.
A heavily slanted display face with compact proportions and a forward-leaning rhythm. Strokes are robust and clean, with noticeable contrast created by angled, wedge-like terminals and sharp entry/exit cuts rather than delicate serifs. Counters stay fairly open for the weight, while joins and curves are slightly squared-off, giving letters a sculpted, machined feel. The overall texture is dense and punchy, with clear differentiation in key shapes like the angled cross strokes and the bold, carved-in apertures.
Best suited to short, high-impact settings such as headlines, posters, sports and event branding, and logo wordmarks where its slanted mass and sharp terminals can lead the eye. It can also work on packaging and promotional graphics when used in larger sizes with ample breathing room, as the dense stroke weight and dynamic cuts are designed to command attention.
The font projects speed and impact, with a distinctly athletic, headline-driven attitude. Its sharp cuts and strong slant feel competitive and promotional, evoking classic sports branding and high-energy advertising. The tone is confident and loud, leaning more toward display drama than quiet neutrality.
The design appears intended to deliver maximum visual punch with a sense of forward motion, using a strong slant and carved, angular terminals to create speed and emphasis. Its contrast is expressed through geometric cutting and shaping rather than fine detail, aiming for bold clarity and a cohesive, brandable silhouette.
Uppercase forms read especially forceful, while lowercase retains the same wedge-terminal logic for consistent texture in text lines. Numerals share the same aggressive cuts and sturdy curves, keeping the set cohesive. The strong diagonals create a lively baseline flow, so spacing and line breaks will materially affect the perceived “motion” of a block of text.