Sans Other Logas 10 is a bold, normal width, low contrast, upright, short x-height font.
Keywords: headlines, posters, game ui, album covers, branding, gothic, medieval, dramatic, historic, fantasy, thematic display, carved effect, gothic tone, logo focus, angular, faceted, chiseled, blackletter-lite, compact caps.
A sharply angular display sans with faceted, chisel-like terminals and frequent wedge cuts. Strokes are monolinear in feel, with corners emphasized over curves; round forms (O, C, G, 0) read as polygonal shapes with flattened sides and pointed joins. Counters are relatively tight and apertures tend to be narrow, while several letters use broken or notched joins that suggest carved lettering rather than smooth construction. Uppercase forms are tall and commanding, while the lowercase is compact with a notably small x-height and simplified, geometric bowls; overall spacing and widths vary per glyph, contributing to an uneven, hand-forged rhythm.
Best suited for short, high-impact settings such as headlines, posters, logos/wordmarks, game or fantasy-themed UI, packaging, and album or event graphics. The angular detailing and compact lowercase favor display sizes where the carved shapes remain clear and contribute decorative texture.
The design conveys a gothic, medieval tone—stern, ceremonial, and slightly menacing—without fully adopting traditional blackletter calligraphy. Its hard edges and cut-in details give it a rugged, weapon-forged character that feels suited to fantasy settings and dramatic titling.
The likely intention is to evoke a carved-stone or cut-metal aesthetic—an atypical sans construction that borrows the mood of gothic and medieval lettering while staying largely geometric and monolinear. It prioritizes visual character and thematic atmosphere over neutral text readability.
Distinctive features include a pointed, shield-like O/0, a zigzag/W built from repeated verticals, and numerals that echo the same faceted geometry, maintaining a consistent ‘carved’ motif across letters and figures. The sample text shows strong presence at larger sizes, where the internal notches and angular terminals read as intentional texture.