Sans Other Logaz 5 is a bold, normal width, low contrast, upright, normal x-height font.
Keywords: posters, headlines, game ui, sci-fi titles, branding, futuristic, techno, industrial, aggressive, gaming, display impact, sci-fi styling, tech branding, distinctiveness, angular, chamfered, octagonal, modular, stencil-like.
A sharply angular, geometric sans with chamfered corners and predominantly straight, faceted strokes. Bowls and counters tend toward squared or octagonal forms, and joins often resolve into pointed terminals or clipped diagonals, giving the outlines a cut-metal feel. The rhythm is compact and tightly constructed, with frequent notches and wedge-like cut-ins that create distinctive internal shapes, especially in curved letters that are rendered as segmented arcs. Overall spacing reads even, while letterforms maintain a consistent, mechanical logic across caps, lowercase, and numerals.
Best suited to short, high-impact settings such as posters, title cards, game or esports branding, and sci‑fi/tech interface graphics. It works well for logos and packaging accents where a mechanical, angular voice is desired, and is less ideal for long-form reading or small-size UI text due to its intricate cuts and sharp joins.
The font projects a hard-edged, futuristic tone reminiscent of sci‑fi interfaces and industrial labeling. Its aggressive angles and carved details feel energetic and slightly combative, lending a techno, game-oriented personality rather than a neutral everyday voice.
The design appears intended to deliver a distinctive techno display voice by translating traditional sans structures into a modular, faceted system with clipped corners and blade-like terminals. Its consistent angular grammar suggests an aim for a cohesive, futuristic aesthetic that remains legible while prioritizing personality.
Many characters incorporate small internal cuts and asymmetric details that enhance recognizability at display sizes but can create busy textures in dense text. Numerals and capitals appear especially strong for headings, while some lowercase forms adopt stylized constructions that emphasize theme over conventional readability.