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Free for Commercial Use

Wacky Apmo 6 is a very bold, narrow, high contrast, upright, normal x-height font visually similar to 'Bhelt' by Fateh.Lab, 'Kontesa' by FoxType, 'Sharp Grotesk Latin' and 'Sharp Grotesk Paneuropean' by Monotype, 'Fixture' by Sudtipos, and 'Heading Now' by Zetafonts (names referenced only for comparison).

Keywords: posters, headlines, logo marks, packaging, signage, circus, western, vintage, theatrical, playful, retro display, poster impact, signage flavor, quirky branding, compressed, slab-serif, tuscan, incised, shadowed.


Free for commercial use
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A heavily compressed display face with chunky slab-like serifs and dramatic interior cut-ins that create a carved, poster-ready silhouette. Many strokes show teardrop or wedge-shaped notches and pointed terminals, producing a rhythmic “chiseled” texture across vertical stems and bowls. The forms lean toward Tuscan-inspired, showcard proportions: tall caps, tight counters, and assertive serifs that sometimes split or flare, giving letters a sculptural, stamped look. Numerals follow the same bold, decorative logic, with strong vertical emphasis and stylized curves.

Best suited for short, attention-grabbing display settings such as posters, event titles, theatrical or music promotions, packaging fronts, and bold signage. It can also work for brand marks or badges where a vintage showcard or western atmosphere is desired, but it is likely too characterful for long-form reading.

The overall tone is loud, theatrical, and nostalgic, recalling fairground posters, old-time saloon signage, and stage-bill typography. Its quirky internal cuts and exaggerated serifs push it into a playful, slightly mischievous register that reads as intentionally eccentric rather than refined.

The design appears intended to evoke classic display typography with a deliberately odd, cut-out construction—maximizing impact in large sizes while delivering a distinctive, decorative texture. Its compressed build and repeating incisions suggest a focus on poster economy: fitting big words into narrow spaces without losing drama.

Spacing and letterfit appear intentionally tight and compact, helping the face build dense, high-impact word shapes. The distinctive internal notches become a repeating motif in text, so the font’s texture is as much about negative-space patterns as it is about the black letterforms.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸