Sans Superellipse Arnif 2 is a very light, very wide, low contrast, upright, normal x-height font.
Keywords: ui titling, tech branding, editorial headings, posters, product identity, futuristic, tech, minimal, sleek, clinical, digital aesthetic, geometric clarity, modern branding, sci-fi tone, minimal display, monoline, rounded, superelliptic, geometric, open counters.
A monoline sans built from superelliptic geometry: rounded-rectangle bowls, softened corners, and long horizontal spans. Strokes are consistently thin with smooth joins, mixing straight segments with broad-radius curves for a taut, engineered rhythm. Many letters use open apertures and segmented construction (notably in forms like S and G), while numerals echo the same rounded-rectangular logic with flat terminals and generous interior space.
Well-suited to technology-forward branding, interface titling, and modern editorial headings where a sleek, geometric voice is desired. It also works for posters and product identity systems that benefit from wide, spacious letterforms and a precise, engineered aesthetic.
The overall tone feels futuristic and technical, with a clean, controlled presence that reads as modern and system-like. Its airy strokes and wide stance give it a calm, refined character, leaning more toward digital interfaces and sci‑fi minimalism than warmth or personality-driven display styles.
The design appears intended to translate superellipse-based, rounded-rectangle forms into a coherent Latin set with a distinctly modern, digital flavor. By keeping strokes uniform and emphasizing open, segmented structures in key glyphs, it aims for a clean, futuristic identity that stays legible while signaling technical sophistication.
Uppercase forms show a deliberately geometric approach (e.g., pointed A, angular diagonals in K/V/W/X) contrasted with softly rounded bowls in B/D/O/P/Q. Lowercase maintains a compact, streamlined look with simple, single-storey constructions and minimal modulation; the single-storey g is notably stylized and looped. The very thin stroke weight suggests best results at larger sizes or in high-contrast rendering contexts.