Sans Superellipse Yoma 3 is a very bold, very wide, high contrast, upright, normal x-height font.
Keywords: headlines, posters, sports branding, product labels, packaging, industrial, retro, assertive, sporty, mechanical, maximum impact, industrial voice, retro display, modular geometry, squared, rounded, compact counters, blocky, stencil-like.
A heavy, squared sans with rounded-rectangle construction and softened corners throughout. Strokes are monolinear in feel but built from chunky slabs, with tight apertures and compact internal counters that emphasize mass. Terminals are mostly flat and horizontal, with occasional carved notches and chamfered joins that create a cut, engineered look. Proportions skew broad and low, producing a dense horizontal rhythm; curves (C, O, S, 0) read as squarish superellipses rather than true circles, and numerals follow the same blocky, modular logic.
Best suited to display settings where strong silhouette and immediate punch matter: headlines, posters, sports or team-style branding, packaging, and product labeling. It also fits UI or environmental graphics that need an industrial, badge-like voice at larger sizes, while smaller text may feel crowded due to tight counters and heavy color.
The overall tone is tough and utilitarian, with a confident, no-nonsense presence. Its squared curves and cut-in details evoke industrial labeling, equipment markings, and retro athletic or arcade-era display typography. The font reads energetic and forceful, prioritizing impact over delicacy.
The design appears intended to deliver maximum visual weight with a modular, rounded-rectangle geometry, combining squared forms with softened corners for a contemporary industrial look. The carved details and compact apertures suggest an aim toward rugged legibility and a distinctive, engineered personality in branding and signage contexts.
Spacing appears intentionally generous between letters in the samples, helping the dense forms stay readable at large sizes. Distinctive cues include the squared bowls and counters, the robust bottom bars on several lowercase letters, and the angular construction of diagonals (notably in V/W/X/Y/Z), which reinforces a mechanical, fabricated aesthetic.