Sans Superellipse Wula 3 is a very bold, very wide, very high contrast, upright, normal x-height font.
Keywords: headlines, posters, logos, sports branding, packaging, industrial, tech, sporty, futuristic, retro, high impact, modular geometry, tech branding, signage, squared, rounded corners, geometric, condensed joins, modular.
A heavy, geometric sans with squared skeletons and prominently rounded corners, giving many letters a rounded-rectangle, superellipse-like footprint. Strokes are generally uniform and blocky, with crisp, squared terminals and tight internal counters that stay open through generous corner radii. Curves tend to resolve into straight segments, producing a modular rhythm across uppercase, lowercase, and figures; several forms (notably C, G, O, Q, S) read as softened rectangles rather than true circles. The overall color is dense and even, with a compact, engineered feel driven by straight-sided bowls, squared apertures, and simplified joins.
Best suited to display contexts where strong presence is needed: headlines, posters, titles, branding marks, and packaging. Its squared-rounded geometry also fits UI or product labeling themes in technology, automotive, gaming, and sports, where an engineered, high-impact look is desirable.
The font conveys a confident, mechanized tone—clean, assertive, and slightly futuristic—balanced by friendly rounded corners that keep it from feeling harsh. Its blocky geometry suggests industrial labeling and tech interfaces, while the softened corners add a retro-digital, arcade-like warmth.
The design appears intended to deliver maximum visual punch using a modular, rounded-rectangle construction that stays consistent across the character set. By favoring squared forms with softened corners and compact counters, it aims for a distinctive, industrial-tech voice that remains readable and cohesive in bold display settings.
Uppercase and numerals feel especially sign-like and monolithic, while the lowercase retains the same squared construction for a cohesive family voice. Many counters are rectangular and inset, creating strong stencil-like negative shapes without actually breaking strokes. The overall impression is optimized for impact and recognizability at larger sizes, with distinctive silhouettes built from rounded boxes.