Sans Other Olfo 7 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Jaturat' by Jipatype, 'Stallman' and 'Stallman Round' by Par Défaut, and 'SbB Powertrain' by Sketchbook B (names referenced only for comparison).
Keywords: headlines, posters, logotypes, gaming ui, packaging, techno, arcade, industrial, aggressive, futuristic, impact, tech aesthetic, modular system, display clarity, branding, octagonal, angular, chamfered, geometric, stencil-like.
A heavy, geometric sans built from straight strokes and sharp corners, with frequent chamfers and clipped terminals that create octagonal counters and a distinctly faceted silhouette. Curves are largely avoided; bowls and rounds resolve into squared forms, and diagonals appear in controlled, planar cuts (notably in letters like K, N, V, W, X). The lowercase follows a compact, constructed logic with single-storey forms (a, g) and a squared, mechanical rhythm; punctuation and numerals match the same hard-edged system, with modular joins and consistent stroke thickness throughout.
Best suited to short, high-impact settings such as headlines, posters, esports or gaming interfaces, product marks, and bold packaging callouts. It can also work for signage-style labels where a tough, engineered aesthetic is desired, while extended reading passages will appear dense and attention-grabbing.
The overall tone reads bold, mechanical, and game-like, evoking arcade UI, sci‑fi interfaces, and industrial labeling. Its clipped geometry and dense black shapes add urgency and impact, giving text a commanding, high-tech presence.
The design appears intended to deliver maximum visual punch through a simplified, hard-edged construction, combining modular geometry with chamfered details to suggest technology and machinery. Its letterforms prioritize strong silhouettes and a cohesive, system-like feel for display-driven typography.
Many glyphs rely on rectangular counters and notched joints, producing a pixel-adjacent feel without being strictly grid-pixel. The design favors strong horizontals and verticals, and the angular detailing can make similar shapes (e.g., O/0, I/1, certain uppercase forms) feel intentionally utilitarian rather than calligraphic.