Sans Other Olku 9 is a very bold, wide, monoline, upright, normal x-height font visually similar to 'Barakat' by Denustudio (names referenced only for comparison).
Keywords: logotypes, headlines, posters, game ui, tech branding, techno, futuristic, arcade, industrial, geometric, display impact, sci-fi voice, systemic branding, modular construction, ui signaling, square, angular, stencil-like, modular, compact.
A heavy, geometric sans built from squared forms and straight segments, with rounded outer corners appearing only where needed for smoother joins. The stroke weight is consistent, producing dense, high-contrast silhouettes against the page, while counters are typically rectangular and often small, giving letters a compact, engineered feel. Terminals are predominantly flat and orthogonal, and many shapes rely on stepped or notched joins rather than curves, creating a modular rhythm across the alphabet. The overall construction favors stability and block-like proportions, with distinctive, stylized diagonals in letters such as K, V, W, X, and Y that read as cut or chamfered forms.
Best suited for branding marks, headlines, and posters where a strong, geometric voice is desired. It also fits game UI, sci‑fi or technology-themed packaging, esports/stream graphics, and short labels where its compact, modular forms read as intentional design. For extended text, it works more reliably in larger sizes with generous spacing to preserve interior clarity.
The tone is assertive and machine-made, evoking digital interfaces, sci‑fi branding, and arcade-era display typography. Its rigid geometry and tight counters lend a controlled, tactical mood—confident, technical, and slightly retro-futurist. The stylization reads as purposeful and emblematic, designed to feel like lettering from hardware, UI panels, or industrial signage rather than neutral text.
The design appears intended as a stylized, modular display sans that prioritizes a futuristic, system-like identity over neutrality. Its squared counters, flat terminals, and cut-in joins suggest an aim to look digitally constructed and highly emblematic, providing instant genre cues for technology, gaming, and industrial contexts.
The bold mass and compact apertures make the face feel strongest at display sizes, where the distinctive notch-and-block construction is most legible. In longer settings the dense interiors and squared counters can create a textured, “grid-like” color, especially in combinations with many enclosed forms (B, D, O, P, R). Numerals follow the same squared, modular logic, matching the capitals closely for cohesive titling and interface-style readouts.