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Free for Commercial Use

Sans Normal Oddaj 1 is a very bold, normal width, low contrast, upright, normal x-height, monospaced font visually similar to 'Chamelton' by Alex Khoroshok, 'ATC Harris' by Avondale Type Co., 'Bergen Mono' by Mindburger Studio, 'Maincode Mono' by Par Défaut, and 'TT Commons™️ Pro' by TypeType (names referenced only for comparison).

Keywords: headlines, posters, signage, packaging, logos, industrial, utilitarian, friendly, retro, impact, clarity, grid fit, durability, blocky, rounded, compact, sturdy, geometric.


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A heavy, compact sans with chunky strokes and broadly rounded corners that soften an otherwise block-like construction. Curves are built from simple, circular forms (notably in C, G, O, and numerals), while joins and terminals stay square-cut and decisive, giving a stable, engineered feel. The texture is dense and even, with consistent stroke weight and generous counters for a face this heavy; punctuation and dots appear large and legible at small sizes. Overall spacing and glyph footprints read uniform, producing a regular, grid-friendly rhythm.

Best suited to short, high-impact text such as headlines, posters, and branding where bold presence and consistent rhythm matter. It also fits signage, labels, and packaging applications that benefit from sturdy, readable shapes and a compact, uniform footprint.

The font conveys an industrial, straightforward tone with a slightly playful friendliness from its rounded shaping. It feels practical and no-nonsense, yet approachable—suggesting signage, labeling, and bold messaging rather than delicate editorial typography. The overall impression is retro-tinged and workmanlike, like stamped or molded lettering.

The design appears intended to deliver maximum clarity and punch with a simplified, geometric drawing and softened corners for approachability. Its consistent rhythm suggests it was made to align cleanly in structured layouts while remaining highly legible at display sizes.

Round letters maintain a near-circular silhouette, while diagonals (V, W, X, Y) are thick and emphatic, helping the design hold up in high-impact settings. Numerals are robust and highly legible, with simple forms and strong internal shapes that keep them distinct.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸