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Free for Commercial Use

Sans Superellipse Pinoy 6 is a very bold, very narrow, monoline, upright, normal x-height font visually similar to 'Masifa' by Hurufatfont; 'Frontage Condensed' by Juri Zaech; and 'Angmar', 'Delonie', and 'Headpen' by Umka Type (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, industrial, assertive, condensed, utilitarian, retro, space-saving, high impact, blocky, compact, sturdy, clean, high-contrast (counter).


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A compact, condensed sans with heavy, even stroke weight and rounded-rectangle geometry throughout. Curves are squared-off into soft corners, giving bowls and counters a superelliptic feel rather than true circles. The forms rely on vertical emphasis and tight internal spacing, with small apertures and counters that stay crisp at display sizes. Terminals are mostly flat and orthogonal, and the overall construction feels modular and consistent across letters and figures.

Best suited to headlines and short display copy where a dense, impactful texture is desired. It works well for branding systems that need a compact wordmark, as well as packaging, labels, and wayfinding/signage where space is tight but presence is required. For long passages, the tight counters and strong weight suggest using larger sizes or generous tracking.

The font conveys a strong, no-nonsense tone that reads as industrial and authoritative. Its condensed build and blocky rounding add a subtle retro signage flavor while staying clean and contemporary. Overall it feels confident, efficient, and built for impact rather than delicacy.

The design appears intended to maximize visual impact in minimal horizontal space, using rounded-rectangle construction to keep the tone friendly enough while remaining firmly utilitarian. Its consistent, heavy shapes and simplified details point to a practical display face built for clear, attention-grabbing statements.

Uppercase and lowercase share a similar structural logic, with the lowercase kept straightforward and sturdy rather than calligraphic. Numerals match the same condensed rhythm, producing a cohesive texture in mixed alphanumeric settings. The punctuation shown (e.g., colon, apostrophe, ampersand) follows the same heavy, simplified styling, supporting bold headline use.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸