Sans Superellipse Feles 7 is a very bold, narrow, low contrast, italic, tall x-height font visually similar to 'Beatcarb' by Ergibi Studio, 'Angela Love Sans' by Fargun Studio, 'Opinion Pro' by Mint Type, 'Denso' by Stefano Giliberti, and 'Merchanto' by Type Juice (names referenced only for comparison).
Keywords: headlines, sports branding, posters, packaging, event promos, sporty, urgent, dynamic, industrial, retro, compact impact, speed emphasis, display clarity, branding punch, condensed, slanted, rounded, compact, punchy.
A heavy, condensed sans with a strong forward slant and compact, tightly packed proportions. Counters are small and apertures tend to be narrow, creating a dense color that holds together at display sizes. Curves are broadly rounded with squared-off, superellipse-like geometry, while terminals are clean and blunt, keeping the silhouette crisp. Overall rhythm is driven by tall lowercase with short extenders and an energetic, continuous stroke flow rather than calligraphic modulation.
Best suited to high-impact headlines, sports and fitness identities, posters, and promotional graphics where speed and intensity are desirable. It can also work for packaging, badges, and signage-style applications that benefit from compact width and a solid, unified texture. For longer reading, it’s likely most effective in short bursts such as subheads, labels, and callouts.
The tone is fast and assertive, with a contemporary sports-and-signage energy. Its dense weight and steep slant read as urgent and action-oriented, while the rounded rectangular forms add a friendly, engineered modernity rather than sharp aggression. The result feels bold, practical, and built for impact.
The design appears intended to deliver maximum punch in minimal horizontal space, combining a forward-leaning stance with rounded rectangular construction for a modern, engineered feel. It prioritizes bold presence, quick recognition, and a cohesive block of text that reads as motion and momentum.
Round letters like O/Q and numerals share a consistent rounded-rectangle logic, and the figures appear designed for strong, blocky presence rather than delicate differentiation. The italic angle and condensed width amplify horizontal motion, making lines of text feel like they lean into speed. At smaller sizes the tight apertures may close up, so it favors headline and short-form settings.