Sans Superellipse Himeg 14 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Swiss 721' by Bitstream, 'Newhouse DT' by DTP Types, 'CG Triumvirate' by Monotype, and 'Nu Sans' by Typecalism Foundryline (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, assertive, industrial, sporty, modern, functional, impact, space saving, modern utility, brand presence, signage clarity, condensed, compact, blocky, rounded corners, rectilinear.
This typeface is a compact, heavy sans with tall, condensed proportions and broadly rounded corners. Curves and counters tend to resolve into squarish, superellipse-like shapes rather than pure circles, giving letters a sturdy, engineered feel. Strokes are uniform and dense, with short apertures and tight interior spaces that emphasize a solid, poster-ready color on the page. Terminals are clean and blunt, and the overall rhythm is consistent, with narrow widths and strong verticality dominating word shapes.
It suits headlines and short, high-impact text where a dense, compact silhouette is an advantage—posters, sports or streetwear branding, packaging, and bold signage. It can also work for UI labels or badges when clarity is prioritized and sizes are kept comfortably large.
The overall tone is forceful and practical, with a contemporary, no-nonsense voice. Its compact massing and rounded-rect geometry evoke industrial labeling, athletic branding, and punchy retail messaging more than delicate editorial typography.
The design appears intended to deliver maximum visual impact in a constrained width, combining a compact build with softened corners to stay approachable while still feeling tough and utilitarian. The superellipse-based construction suggests an aim for a contemporary, engineered look that holds up in bold display settings.
The numerals share the same compact, squared-off rounding as the letters, maintaining a cohesive texture in mixed alphanumeric settings. In the sample text, the dense counters and narrow apertures create a dark, emphatic line that reads best when given space and size.