Print Afkeh 4 is a regular weight, narrow, low contrast, italic, short x-height font.
Keywords: branding, packaging, posters, social media, headlines, friendly, casual, approachable, lively, playful, handwritten feel, casual voice, human warmth, quick lettering, rounded, brushed, bouncy, informal, soft terminals.
This typeface presents an informal, hand-drawn print style with a consistent rightward slant and smoothly rounded stroke endings. Strokes feel brush-like and slightly tapered, with soft joins and gentle curve transitions that keep counters open and readable. Proportions are compact and generally narrow, while widths vary naturally from glyph to glyph, adding an organic rhythm. Capitals are simple and upright in structure but retain the same fluid, handwritten modulation; lowercase forms are compact with short ascenders and descenders and a slightly bouncy baseline. Numerals match the letterforms with rounded shapes and simple, single-stroke construction.
Well-suited to short-to-medium text where an informal voice is desired, such as lifestyle branding, packaging callouts, posters, and social media graphics. It also works well for headlines, quotes, and signage-like applications where a friendly handwritten feel should lead the message rather than a neutral typographic tone.
The overall tone is relaxed and personable, like quick marker lettering used for notes, menus, or casual signage. Its soft curves and rhythmic wobble convey warmth and spontaneity rather than formality or precision.
The font appears designed to mimic quick, confident hand lettering in an unconnected print style, balancing legibility with an intentionally casual, brush-pen personality. Its consistent slant and rounded forms suggest an aim for approachable expressiveness that still reads cleanly in display sizes.
The design maintains good internal consistency despite its hand-rendered character, with repeatable stroke behavior and similar curvature across the set. The slant and rounded terminals help keep words flowing, while the irregularities in width and spacing contribute to a natural, human cadence.