Sans Superellipse Fomut 2 is a bold, normal width, monoline, italic, normal x-height font visually similar to 'Air Corps JNL' by Jeff Levine (names referenced only for comparison).
Keywords: sports branding, esports, posters, headlines, packaging, sporty, tech, futuristic, dynamic, confident, speed emphasis, modern geometry, display impact, technical tone, rounded corners, oblique slant, stencil-like cuts, compact caps, angled terminals.
A slanted, geometric sans with sturdy monoline strokes and a rounded-rectangle (superellipse) construction. Corners are consistently softened, while many joins and terminals are cut on angles, producing crisp, engineered edges within an overall rounded silhouette. Counters tend toward squared ovals, apertures are moderately open, and the rhythm is tight and forward-leaning, with compact capitals and a sturdy lowercase that maintains clear internal space. Numerals follow the same rounded-square logic and show a slightly segmented, display-oriented feel in their curves and cuts.
Best suited to short, prominent text where its forward slant and engineered rounding can read as intentional style—sports branding, esports identities, event posters, product marks, and packaging. It can also work for UI labels or dashboards when a dynamic, performance aesthetic is desired, particularly at medium-to-large sizes.
The font reads energetic and performance-minded, blending a streamlined, automotive/sports sensibility with a slightly sci‑fi, interface-like precision. Its rounded geometry keeps it friendly, while the sharp cuts and oblique stance add speed and assertiveness.
The design appears intended to merge rounded, modern geometry with speed cues—oblique posture, angled cuts, and compact proportions—to create a contemporary display sans that feels technical and athletic without becoming harsh.
Distinctive clipped details appear in several forms (notably in rounded letters and some diagonals), creating a subtle "machined" texture that becomes more pronounced at larger sizes. The slant is consistent across uppercase, lowercase, and figures, giving mixed-case settings a cohesive, kinetic flow.