Sans Faceted Abmay 6 is a very bold, narrow, low contrast, upright, tall x-height font visually similar to 'Behover' by Martype co, 'RBNo2.1' by René Bieder, 'Alma Mater' and 'Oscar Bravo' by Studio K, 'Headlines' by TypeThis!Studio, and 'Super Duty' by Typeco (names referenced only for comparison).
Keywords: headlines, posters, sports branding, apparel, signage, industrial, varsity, military, retro, assertive, impact, labeling, emblematic, high visibility, athletic, octagonal, chamfered, blocky, stencil-like, monolinear.
A compact, heavy block letterform built from straight strokes and clipped corners, replacing curves with small planar chamfers. Counters tend toward rectangular and octagonal shapes, and the joins stay crisp and angular throughout. The overall rhythm is tight and vertical, with short extenders and a high lowercase profile; round letters like O, C, and G read as faceted polygons. Numerals and capitals share the same squared construction, giving the set a uniform, sign-paint-like solidity.
Well-suited to short, high-impact settings such as headlines, posters, team identities, apparel graphics, packaging callouts, and bold signage. It also works for badges, labels, and UI moments that need a strong, compact wordmark, while long text will benefit from extra spacing and larger sizes.
The faceted geometry and dense color create a tough, utilitarian tone with clear echoes of varsity athletic lettering and industrial labeling. Its hard corners and compact stance feel authoritative and energetic, leaning toward retro sports and military/transport graphics rather than soft contemporary minimalism.
The design appears intended to deliver a rugged, high-visibility display face using a strictly geometric, chamfered construction that holds up in bold applications. By trading curves for facets and keeping proportions compact, it aims for quick recognition and a confident, emblematic presence.
The simplified, angular construction keeps internal spaces small, so the font reads best when given generous tracking or used at sizes where counters don’t close up. The lowercase mirrors the uppercase’s block structure closely, emphasizing a cohesive, all-caps-like voice even in mixed-case settings.