Sans Superellipse Ukboh 6 is a very bold, narrow, monoline, upright, normal x-height font visually similar to 'Stallman Round' by Par Défaut (names referenced only for comparison).
Keywords: headlines, posters, branding, logotypes, packaging, industrial, techno, retro, assertive, compact, space-saving, high impact, systematic, modern utility, retro-tech, rounded corners, squared curves, condensed, blocky, high contrast (mass).
A compact, heavy sans with squared, superellipse-like curves and consistently rounded corners. Strokes are uniform in thickness, producing a dense, poster-ready color with tight interior counters and minimal modulation. Curved letters (C, G, O, Q) read as rounded rectangles rather than true circles, while straights stay crisp and vertical, giving the design a rigid, engineered rhythm. Lowercase follows the same geometric logic with sturdy stems and simplified joins; numerals match the blocky construction and maintain strong alignment and weight consistency.
Best suited for short, high-impact settings such as headlines, posters, product branding, logotypes, packaging, and bold UI/wayfinding labels where a compact footprint is helpful. It also works well for sports or event graphics and titles that benefit from an engineered, retro-tech flavor.
The overall tone is bold and utilitarian, evoking industrial labeling, arcade-era graphics, and contemporary tech interfaces. Its compact proportions and squared curves feel disciplined and mechanical, while the rounded corners keep it approachable rather than harsh.
The design appears intended to deliver maximum visual punch in a condensed space while keeping a unified geometric language across caps, lowercase, and numerals. By using squared curves with softened corners and uniform stroke weight, it aims for a modern-industrial voice that remains clean and highly reproducible.
The tight apertures and small counters create high impact at display sizes, but the dense internal spaces can fill in visually as sizes get smaller or when used on low-resolution outputs. The construction is highly consistent across letters and figures, emphasizing a systematic, modular feel.