Sans Superellipse Otmal 11 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'British Vehicle JNL' by Jeff Levine, 'Charles Wright' by K-Type, and 'Nulato' by Stefan Stoychev (names referenced only for comparison).
Keywords: headlines, posters, branding, signage, packaging, sturdy, industrial, confident, modern, sporty, impact, clarity, modernity, durability, approachability, rounded corners, compact, blocky, high contrast counters, square-shouldered.
A heavy, compact sans with rounded-rectangle construction and consistently blunt terminals. Curves resolve into squared-off arcs and softened corners, giving bowls and counters a superelliptical feel. Stroke weight is uniform and dense, with relatively tight apertures and broad, stable horizontals; the overall rhythm reads as solid and slightly condensed. Uppercase forms are tall and authoritative, while lowercase maintains a straightforward, utilitarian structure with sturdy stems and simplified joins.
Best suited to large-scale settings such as headlines, posters, brand marks, packaging, and signage where its dense weight and compact proportions create strong impact. It can also work for UI or dashboard titles and short labels, especially where a sturdy, modern tone is desired.
The tone is bold and no-nonsense, projecting strength and practicality rather than delicacy. Its rounded corners add approachability to an otherwise tough, engineered voice, evoking industrial labeling, sports branding, and contemporary tech interfaces.
The design appears intended to deliver maximum presence with a controlled, geometric voice—using rounded-rectangle forms to balance toughness with friendliness. It prioritizes clarity and punch in display contexts while keeping letterforms simple and consistent.
The numerals follow the same rounded-rect geometry, appearing robust and highly legible at a glance. Diacritics and punctuation shown in the sample text sit clearly and feel engineered to match the font’s squared, softened aesthetic.