Sans Superellipse Otmab 2 is a bold, normal width, low contrast, upright, tall x-height font visually similar to 'Brave Brigade' by Invasi Studio, 'Charles Wright' by K-Type, 'Gemsbuck Pro' by Studio Fat Cat, and 'Radley' by Variatype (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, modern, industrial, confident, techy, friendly, impact, modernize, soften, systemize, brandability, rounded corners, squared curves, compact apertures, blocky, high impact.
A heavy, geometric sans with a superellipse construction: strokes terminate in rounded rectangles, counters are boxy with softened corners, and curves transition quickly into straight segments. Proportions are compact and sturdy, with a tall lowercase presence and minimal stroke modulation. Many forms use tight apertures and square-shouldered joins, producing an efficient, poster-like rhythm; numerals follow the same squared-round logic for a consistent texture at display sizes.
Best suited for headlines, posters, packaging, and identity work where a bold, geometric voice is needed. It also fits signage and UI labeling at larger sizes thanks to its sturdy shapes and consistent rounded-rect geometry, especially for short phrases, wayfinding, and product naming.
The overall tone feels contemporary and engineered—confident, direct, and slightly industrial—while the rounded corners keep it approachable rather than harsh. Its chunky geometry reads as utilitarian and tech-forward, suggesting signage, interfaces, and brand marks that want clarity with personality.
The design appears intended to translate geometric, squared-round forms into a strong display sans that remains friendly through softened corners. It prioritizes impact and cohesion across the set, aiming for a contemporary, utilitarian look that stays legible and distinctive in branding contexts.
The design emphasizes uniform, squared counters and rounded-rect terminals across both uppercase and lowercase, creating a cohesive “rounded block” motif. The density and tight openings can make it feel compact in longer text, but it delivers strong shape recognition in headlines and short strings.