Sans Faceted Ihpo 3 is a very light, wide, low contrast, upright, normal x-height font.
Keywords: headlines, posters, logotypes, display ui, packaging, futuristic, technical, architectural, minimal, geometric, sci‑fi ui, technical labeling, geometric branding, graphic texture, modern titling, monoline, faceted, angular, chamfered, wireframe.
A monoline sans built from straight segments, with curves replaced by crisp facets and chamfered corners. Strokes maintain an even, hairline thickness, producing a clean wireframe look with open counters and generous interior space. The construction favors geometric forms—octagonal rounds for O/C/G/Q and sharp diagonals in A/K/V/W/X/Y—while horizontals and verticals stay rigid and orthogonal. Spacing reads airy and deliberate, and the overall rhythm is consistent despite noticeable width variation between narrow forms (I, l) and broader, more polygonal letters (O, Q, S).
Best suited for short display settings where its faceted construction can read as a graphic motif—headlines, posters, branding marks, packaging accents, and interface or HUD-style labeling. It also works well for titling in tech, architecture, and science-fiction themed materials, where the schematic, polygonal forms reinforce the concept.
The faceted geometry and hairline strokes create a precise, engineered tone that feels futuristic and schematic. Its angular “cut” corners suggest industrial design, CAD labeling, and sci‑fi interfaces rather than conventional text typography. Overall, it communicates cool restraint, clarity, and a slightly experimental edge.
The design appears intended to translate geometric drafting and polygonal construction into a clean, contemporary alphabet. By using consistent straight segments and chamfered corners, it prioritizes a cohesive visual system that looks engineered and modern while remaining legible at display sizes.
Distinctive polygonal rounds and clipped terminals unify the alphabet, while the numerals echo the same chamfered logic for cohesive alphanumeric settings. Some glyphs lean on simplified, sign-like structures (notably the straight, segmented curves), which emphasizes style and pattern over traditional calligraphic modulation.