Sans Normal Goris 11 is a bold, very narrow, low contrast, italic, normal x-height font visually similar to 'FF DIN' and 'FF DIN Paneuropean' by FontFont, 'DIN Next' and 'DIN Next Paneuropean' by Monotype, 'Core Sans D' and 'Core Sans DS' by S-Core, and 'Coben' by cretype (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, signage, sporty, urgent, modern, energetic, compact, space saving, high impact, speed cue, display clarity, modern utility, condensed, oblique, tall, tight, rounded.
A condensed, oblique sans with tall proportions and tightly packed letterforms. Strokes are consistently heavy with smooth, rounded joins and minimal modulation, producing a sturdy, uniform texture. Counters are compact and apertures tend to be narrowed, while terminals read clean and straightforward rather than calligraphic. Uppercase forms are compact and upright in structure despite the slant, and the lowercase shows single-storey construction where expected, with a simple, utilitarian rhythm. Figures match the alphabet’s compact stance, with clear, sturdy shapes designed to hold up at display sizes.
This style is well-suited to headlines, short statements, and high-impact branding where space is limited but presence is needed. It works especially well for sports or performance-oriented graphics, promotional posters, packaging callouts, and attention-grabbing signage where the compact width and strong slant help create urgency and motion.
The overall tone is fast, punchy, and utilitarian—more about momentum and impact than refinement. The strong slant and tight spacing suggest speed and intensity, giving it a sporty, contemporary voice that reads as assertive and no-nonsense.
The design appears intended to deliver maximum impact in a narrow footprint, combining a condensed build with a pronounced slant to imply speed and forward motion. Its simplified, low-modulation shapes prioritize consistent density and bold presence for display-driven communication.
In text, the condensed width creates a dense vertical cadence and a strong diagonal flow from the oblique angle. The heavy weight and narrow counters can reduce internal whitespace, so it visually performs best when given a bit of breathing room via line spacing or tracking, especially in longer settings.