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Free for Commercial Use

Sans Superellipse Udbev 6 is a very bold, very narrow, low contrast, italic, normal x-height font visually similar to 'Gravitica Compressed' by Ckhans Fonts, 'Geogrotesque Condensed Series' and 'Geogrotesque Sharp' by Emtype Foundry, 'Parkson' by Rook Supply, and 'Cervo Neue Condensed' by Typoforge Studio (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, editorial display, sporty, urgent, industrial, retro, assertive, space saving, high impact, sense of motion, modern utility, condensed, slanted, compact, punchy, blocky.


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A compact, condensed sans with a pronounced forward slant and heavy, uniform stroke weight. Counters are tight and often superelliptical, giving round letters a rounded-rectangle feel, while terminals are mostly blunt with occasional angled cuts. The rhythm is dense and vertical, with short extenders and sturdy joins that keep shapes intact at display sizes. Figures and capitals are built from the same solid, compressed geometry, emphasizing clear silhouettes over open interior space.

This font is well suited to high-impact headlines, posters, and short bursts of text where density and momentum are an advantage. It fits sports and performance branding, bold packaging panels, and editorial display settings that need a compact, energetic voice. For smaller sizes, adding tracking and avoiding overly tight setting will help preserve clarity.

The overall tone is fast and forceful, suggesting speed, impact, and no-nonsense energy. Its compressed stance and slanted posture read as athletic and urgent, with a slightly retro, headline-driven sensibility.

The design appears intended to deliver maximum impact in minimal horizontal space, combining a condensed footprint with a built-in slant for motion. Its superelliptical rounding and uniform heft aim for a modern, engineered feel that stays bold and consistent across letters and numbers.

Because the apertures and counters run small, the face reads best when given breathing room through tracking and generous line spacing. The italic construction is integral to the design rather than a simple oblique, reinforcing a forward-driving texture in longer lines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸