Sans Faceted Miwe 3 is a regular weight, normal width, medium contrast, upright, normal x-height font visually similar to 'Brahmos', 'Brahmos Arabic', and 'Brahmos Tamil' by Indian Type Foundry (names referenced only for comparison).
Keywords: headlines, branding, posters, gaming, ui, tech, futuristic, industrial, precision, assertive, sci-fi styling, technical voice, geometric clarity, display impact, angular, faceted, chamfered, geometric, monolinear.
A faceted, geometric sans with squared proportions and consistent stroke weight. Curves are largely replaced by flat planes and chamfered corners, producing octagonal counters and clipped terminals throughout. The design uses a relatively tall cap height and a moderate x-height, with open apertures and clean interior shapes that keep forms legible despite the angular construction. Diagonals are crisp and mechanical, and the overall rhythm reads slightly variable across glyphs as widths adjust to each form rather than locking into a rigid grid.
Best used at display sizes where the faceting and chamfer details can read clearly—headlines, logos, packaging, posters, and game/film titling. It can also work for short UI labels or interface headings when a technical, futuristic voice is desired, but it is less suited to long-form text where the angular repetition may become visually insistent.
The sharp planar cuts and engineered geometry evoke a technical, sci‑fi tone—more machine-made than humanist. Its presence is bold and decisive, with a sleek, utilitarian edge that feels suited to interfaces, hardware, and speculative branding.
The font appears designed to translate a sans-serif skeleton into a hard-edged, planar language, prioritizing consistent chamfers and polygonal counters over smooth curves. The intent seems to be a contemporary, tech-forward display face that remains structurally clear while delivering a distinctive, engineered silhouette.
Distinctive chamfers repeat consistently at joins and corners, giving the alphabet a cohesive “cut metal” texture. Rounded letters (like O/C/G) become polygonal, while diagonals in K, V, W, X and Y add a dynamic, directional feel. Numerals follow the same faceted logic, with squared bowls and clipped joints for a uniform system.