Hollow Other Tisy 3 is a very bold, normal width, high contrast, upright, normal x-height font visually similar to 'Grupi Sans' by Dikas Studio, 'Gibstone' by Eko Bimantara, 'Otoiwo Grotesk' by Pepper Type, 'Tablet Gothic' by TypeTogether, and 'Palo' by TypeUnion (names referenced only for comparison).
Keywords: headlines, posters, packaging, logos, kids branding, playful, handmade, retro, quirky, friendly, novelty display, handmade feel, textured impact, friendly tone, rounded, chunky, soft corners, textured, punched.
A heavy, rounded sans with chunky proportions and softly blunted terminals. The letterforms feel cut from a single bold shape, then interrupted by small, irregular punch-outs and interior voids that create a hollowed, distressed look. Curves are broad and somewhat uneven, with simplified geometry and occasional asymmetry that reads as deliberately hand-shaped. Counters are generous on round letters, while joins and diagonals stay thick, producing strong color and clear silhouettes at display sizes.
Best suited for short display settings where the hollowed texture can be appreciated: headlines, posters, signage, packaging, and logo wordmarks. It can also work for playful editorial callouts or event graphics, but is less appropriate for long body copy or small UI text where the interior knockouts may reduce clarity.
The overall tone is playful and crafty, like a handmade stencil or cut-paper poster style. Its irregular knockouts add a mischievous, slightly worn character that feels casual and approachable rather than formal. The vibe leans retro and novelty-friendly, suitable for upbeat, humorous, or youth-oriented messaging.
The design appears intended to deliver a bold, attention-grabbing display voice with a handcrafted, cut-out texture. By combining soft, rounded silhouettes with irregular interior punch-outs, it aims to feel friendly and distinctive while adding visual interest to large type.
The internal cutouts vary in size and placement, creating lively texture across words; this also means fine details can fill in at smaller sizes. Round forms (O, Q, 0, 8, 9) emphasize the font’s soft personality, while the distressed interiors keep large headlines from feeling overly solid. Numerals match the same rounded, chunky rhythm for cohesive display typography.