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Sans Superellipse Arnof 3 is a very light, very wide, monoline, upright, normal x-height font.

Keywords: ui design, tech branding, headlines, posters, signage, futuristic, minimalist, technical, sleek, modular, digital feel, geometric system, modern clarity, streamlined forms, rounded corners, geometric, open counters, low contrast, clean.


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A geometric sans built from rounded-rectangle and superellipse shapes, drawn with a consistent monoline stroke and squared terminals softened by generous corner radii. Curves resolve into flattened arcs rather than circles, giving bowls and counters a boxy, engineered feel. Many forms are open and simplified (notably in letters like C, G, S, and several lowercase joins), with straight horizontals and verticals establishing a crisp rhythm. The lowercase shows compact, single-storey constructions and short or absent crossbars in places, reinforcing a pared-down, modular structure.

Well suited to interface typography, dashboards, and product/tech branding where a clean geometric voice is desired. It can be effective for headlines and short blocks of display text, especially in futuristic or minimalist layouts, and works well in signage or environmental applications that benefit from clear, modular letterforms.

The overall tone is futuristic and technical, with a clean, device-like aesthetic that reads as modern and deliberate rather than friendly or handwritten. Its rounded-square geometry suggests digital interfaces, sci‑fi signage, and contemporary product styling while keeping a restrained, minimalist personality.

The design appears intended to translate rounded-rectangular geometry into a coherent alphabet with a consistent stroke and simplified construction. By prioritizing superellipse-based bowls, open forms, and minimal joins, it aims to convey a contemporary, system-like feel that stays visually distinctive in display settings.

The numerals follow the same rounded-rectilinear logic, with segmented, streamlined shapes that feel consistent with the caps. Diacritics and punctuation shown in the sample appear similarly minimal, and the design maintains a uniform stroke presence that emphasizes outline clarity over calligraphic detail.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸