Sans Superellipse Efkek 3 is a light, normal width, low contrast, italic, normal x-height font visually similar to 'Absolut Pro' by Ingo (names referenced only for comparison).
Keywords: ui design, app branding, tech editorial, headlines, wayfinding, sleek, technical, futuristic, friendly, streamlined, modernization, streamlined clarity, tech branding, dynamic emphasis, geometric identity, rounded, monoline, oblique, soft corners, geometric.
A monoline sans with an oblique, forward-leaning stance and rounded, superelliptical construction throughout. Curves resolve into soft corners rather than perfect circles, giving bowls and counters a squarish-round geometry, while terminals are clean and uncluttered. Proportions are compact and consistent, with smooth joins, open apertures, and a steady rhythm that keeps forms crisp even when diagonals and curves intersect. Numerals and capitals follow the same rounded-rect logic, producing a cohesive, engineered texture in running text.
This font suits interface typography, product branding, and tech-oriented editorial layouts where a clean, dynamic italic voice is useful. It also works well for headings, short emphatic text, and signage/labels that benefit from rounded forms and a controlled, modern texture.
The overall tone feels modern and streamlined, balancing a techy, futuristic flavor with approachable softness from the rounded geometry. Its italic slant adds motion and energy without becoming expressive or calligraphic, keeping the voice controlled and contemporary.
The design appears aimed at a contemporary, device-friendly aesthetic: a simple monoline structure combined with superelliptical curves to achieve a distinctive geometric identity without sacrificing clarity. The italic angle seems intended to add speed and forward momentum while maintaining a neutral, system-like discipline.
Distinctive rounded-rectangle bowls and counters show up across both uppercase and lowercase, creating a recognizable silhouette at display sizes. The design leans on geometric consistency rather than contrast or ornamental detail, so the personality comes from shape language and the oblique posture.