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Sans Superellipse Pybiz 8 is a bold, narrow, monoline, upright, normal x-height font visually similar to 'Muller Next' by Fontfabric, 'Bantat' by Jipatype, 'Akwe Pro' by ROHH, and 'Marble' by URW Type Foundry (names referenced only for comparison).

Keywords: headlines, posters, signage, branding, packaging, industrial, condensed, poster, modern, utilitarian, space saving, high impact, geometric consistency, signage clarity, high-contrast negative, compact, rectilinear, rounded corners, vertical stress.


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A compact, tightly set sans with a strong vertical rhythm and squared-off, superellipse-inspired curves. Strokes are consistently thick with minimal modulation, producing a dense, dark texture in text. Curved letters (C, G, O, S) read as rounded rectangles rather than true circles, while terminals are clean and blunt. Counters are relatively small and enclosed, and joins are sturdy, giving the design a solid, engineered feel. The lowercase is simple and functional, with single-storey forms and straightforward punctuation of shapes; figures are similarly condensed and blocky for even alignment.

Performs best in headlines, posters, and large-format messaging where its dense color and condensed width maximize impact and conserve space. It also suits signage and packaging where bold, compact letterforms improve quick recognition. For long passages or small UI text, the tight counters suggest using larger sizes or generous tracking.

The overall tone is assertive and utilitarian—more industrial signage than friendly editorial. Its compact width and heavy color project urgency and strength, with a contemporary, no-nonsense character suited to attention-grabbing communication.

Likely designed to deliver a strong, space-efficient voice with a cohesive rounded-rect geometry, balancing modern clarity with an industrial, display-forward presence. The consistent stroke weight and compact proportions emphasize uniformity and punch over typographic delicacy.

The condensed proportions make vertical stems dominant, and the tight internal spaces can fill in at smaller sizes, reinforcing its best use at display or short-text settings. The superellipse construction is especially noticeable in rounded glyphs and in the squared shoulders, which creates a cohesive, modular look across the set.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸