Font Hero

Endless Fonts
Free for Commercial Use
Download Now

Sans Superellipse Pigup 7 is a very bold, very narrow, low contrast, upright, normal x-height font visually similar to 'Geogrotesque Condensed Series' and 'Geogrotesque Sharp' by Emtype Foundry, 'Hype vol 3' by Positype, 'Entropia' by Slava Antipov, and 'Gemsbuck Pro' by Studio Fat Cat (names referenced only for comparison).

Keywords: headlines, posters, signage, branding, packaging, industrial, condensed, assertive, modern, utilitarian, space saving, high impact, modern utility, signage clarity, blocky, squared, rounded corners, tall, compact.


Free for commercial use
Customize the font name

A tall, tightly set sans with compact proportions and a strong vertical rhythm. Strokes are consistently heavy with minimal modulation, and many curves resolve into rounded-rectangle (superellipse-like) bowls, giving O/C/G and the numerals a squared-off softness rather than true geometric circles. Terminals are mostly flat and abrupt, counters are relatively small, and joins are clean and sturdy; the overall silhouette reads as engineered and space-efficient. Lowercase follows the same condensed logic, with simple, sturdy forms and a straightforward, single-storey style where applicable, keeping texture dense and uniform in text.

Works best for headlines, posters, and brand marks that need a dense, commanding footprint in limited horizontal space. It also suits signage, packaging panels, and labels where a compact, high-impact sans can stay legible at a glance.

The tone is bold and no-nonsense, leaning industrial and contemporary. Its condensed stance and squared-round curves evoke signage, equipment labeling, and modern sports or street branding—confident, compact, and built for impact.

The design appears intended to deliver maximum impact per line with a condensed build and heavy, uniform strokes. The rounded-rectangle construction suggests a deliberate move toward an engineered, modern look that balances hardness (flat terminals, tight counters) with softened corners for approachability.

Round characters tend to look squarer than expected, while diagonals (e.g., in A, V, W, X) stay crisp and steep, reinforcing a strong vertical emphasis. The sample text shows a dark, continuous color on the line, favoring display sizes and short messages where tight spacing and high stroke density enhance presence.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸