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Sans Normal Vibuf 14 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Elisar DT' by DTP Types, 'FF Kievit' by FontFont, 'Agilita' by Linotype, 'TheSans' by LucasFonts, 'Accia Sans' by Mint Type, 'Joanna Sans Nova' by Monotype, 'Organic' by Positype, and 'Core Sans BR' by S-Core (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, advertising, modern, sporty, friendly, confident, informal, impact, energy, clarity, approachability, contemporary, rounded, slanted, clean, robust, open.


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This typeface is a slanted sans with sturdy, low-contrast strokes and generously rounded curves. Forms are built from smooth, geometric-ish arcs with soft corners and open apertures, producing a clear, even rhythm in both uppercase and lowercase. The capitals feel compact and stable, while the lowercase shows simple, single-storey constructions (notably the a and g) and straightforward terminals that keep the texture clean and continuous. Numerals match the overall stance and weight, with rounded shapes and consistent stroke endings that read well in sequence.

It performs best in display-forward settings such as headlines, posters, and brand marks where its slant and weight can provide impact and movement. It also suits packaging and advertising copy that benefits from a modern, friendly voice, especially when set with ample spacing and at medium-to-large sizes.

The overall tone is energetic and approachable, combining a contemporary cleanliness with a casual, forward-leaning motion. It feels confident and sporty rather than formal, with a friendly softness in the curves that keeps it from becoming harsh or technical.

The design appears intended to deliver a bold, contemporary sans voice with built-in dynamism through its slant and rounded construction. Its simplified forms and sturdy presence suggest a focus on clarity and punch for attention-grabbing typography rather than quiet, bookish reading.

The italic angle is prominent enough to add momentum in headlines, yet the letterforms remain relatively open and uncomplicated, helping maintain legibility at larger text sizes. Curves and diagonals are emphasized throughout, giving the design a cohesive, streamlined personality.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸