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Free for Commercial Use

Stencil Johe 2 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Whitney' by Hoefler & Co., 'Morandi' by Monotype, 'Fact' by ParaType, 'Amfibia' and 'Karibu' by ROHH, 'Amsi Pro' and 'Amsi Pro AKS' by Stawix, 'Morl' by Typesketchbook, and 'Eastman Condensed' by Zetafonts (names referenced only for comparison).

Keywords: posters, headlines, signage, packaging, logos, industrial, maritime, military, vintage, playful, stencil marking, bold display, retro signage, cut-out look, slab serif, arched baseline, chunky, rounded corners, cut-in terminals.


Free for commercial use
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A heavy, slab-serif stencil with chunky proportions and softly rounded corners. The letters are constructed from broad, low-contrast strokes with frequent vertical stencil breaks that create clear bridges through bowls and stems, giving many forms a split, cut-out look. Uppercase shapes feel compact and blocky, while lowercase shows a tall x-height and a slightly bouncy rhythm from curved bottoms and subtle, irregular curvature in stems and joins. Counters are relatively tight and the overall texture reads dense and poster-like, with distinctive segmented forms in round letters and numerals.

Best suited for display applications where the stencil construction is a feature: posters, headlines, branding marks, event graphics, and packaging. It can also work well for bold signage or labels where a rugged, cut-out aesthetic is desired.

The stencil breaks and chunky slabs suggest utilitarian marking and cut-letter signage, while the rounded shaping and uneven, lively rhythm add a friendly, theatrical energy. It balances an industrial, workmanlike tone with a slightly whimsical, retro display feel.

The design appears intended to deliver a high-impact stencil voice that reads like cut or sprayed lettering, while softening the hardness of typical industrial stencils through rounded shaping and a buoyant, slightly irregular rhythm.

Round glyphs (such as O/Q and 0/6/8/9) rely on a strong central vertical bridge, making the stencil construction a defining motif across the set. Spacing appears intentionally tight in text, producing a dark, compact typographic color that favors larger sizes and short runs.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸